Fibre Arts NZ 2013 Part 4

Fibre Arts NZ 2013 Part 4

If you missed parts one, two and three of this report of the Fibre Arts New Zealand report on Whanganui 2013, please catch up here! There are some good images of the earlier steps in the collage process.

After adding layers of paint in a variety of different densities we added depth, and image transfers to give more complexity and interest to our work.  In a couple of my collages I added mount board, foam core or cardboard with gesso over the top to maintain the surface visually.

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I was enjoying myself very much and did not try to over think my collages, which meant I worked more fluently and did not worry about tiny details, placements and colours. Things seemed to fit together well and I have now got my collages on the wall at home so I can see them and review which I want to work on further.

I got the impression that some of our group were really looking hard at their collage work and working towards a set goal and a set effect, they left nothing to chance – not letting go so a new creativity might strike. Others worked very hard on getting techniques right and discovering new directions.

Giveaway News

Giveaway News

There is a giveaway open on Dash Kitten’s blog to win a miniature art work. Entry is simple, just leave a comment under the blog post and you are in! head over to Dash’s blog to see the prize on offer!

Sample ACEO from BZTATA Sample of BZTAT ACEO


If you can share the giveaway this would be so cool!

Fibre Arts NZ 2013 Part 3

Fibre Arts NZ 2013 Part 3

 

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If you dropped in here as your first Whskr stop and want to catch up on the previous two workshop posts, the first is here and the second is here.

As our collage exploration with Cordula Kageman continued, we began to develop our small collages on the large sheet of paper by adding shades/tints or more solid layers of colour.  This meant that we could bind together elements of the collages that might have clashed, or that we did not like very much (!)

This colour could also be thickened to obscure part of the layer beneath adding another rhythm our work. Liquitex medium with either a small tint of colour or a stronger shade made a difference to what I did. Each collage image on my large sheet seemed to ‘demand’ a different shade. I used denser colour later in the workshop.

I sampled a sepia shade (creamy white and yellow orchre), rose (cadmium red) and a Red Black I purchased at Whitcoulls Art Department (Lambton Quay, Wellington). This red black was interesting and intriguing to use, it had a subtle darkening effect with a hint of red – I enjoyed it so will explore its use further.

As a final layer we began to add ‘windows’. More on that next time.

Fibre Arts NZ Part Two

Fibre Arts NZ Part Two

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You may have noticed that I am not doing my Fibre Arts New Zealand reports on a day to day basis.  This is because everyone worked at different speeds and it is the techniques we learned that are my focus here. The first report can be found here!

We started with our large sheets, working on 3/6 small collages, and learned much while we did these :-

  • Do not worry over much when you do your initial layers, let your unconscious mind become involved.
  • Don’t overfuss
  • Use a good medium such as Liquitex or Pebeo and cover both sides of your paper or card.
  • Add a tad of colour to your white, this gives a nice tint without overwhelming, unless you want to add a denser layer.
  • What each artist uses informs their collage.
  • Each student produced completely different work, and those working in pairs discussed their work, asking advice. This was interesting as things developed.

The weather while we were there was intermittently drizzly, rainy and brilliantly sunny. We managed to get from plece to place without getting wet and, as long as you don’t visit Whanganui on a Saturday afternoon, then it’s open!

To see what is coming in September 2013, and in April 2014. Bookings are being taken now.

Fibre Arts New Zealand 2013

Fibre Arts New Zealand 2013

Collage Workshop Fibre Arts New Zealand Day 1

Starting our exploration, firstly we settle into our work space, met our fellow students and set up ready for our first day’s work Collage with Cordula Kagemann.

Ad Asdtra Quad
The quad at Ad Astra Hostel, Whanganui

It did not take long to set up our tables so everyone had a good space to work. The light-filled art room is used by students at Whanganui Girls College and had everything we needed. Each table had a paint cover and we all made ourselves comfortable and unloaded our materials.

ClassRoomSetting up the room

Cordula introduced herself, and showed samples of her work( brought along in folders) so we knew a bit about her, she then got us started making our first collages.

  • Using a very large sheet of A1 size paper we were asked to produce a series of small collages (4/6/9 – it was our choice).
  • We were told not to ‘over think’ what we did but select papers and allow our unconscious minds to contribute to our work.
  • Even at this early stage there were signs that some were more craft orientated, and some more art focused in how they assembled their work and thought through their ideas..

Whskr Collage SamplesWhskr First Collage Samples

My first layout using a variety of papers including maps, copies of sheet music, Japanese paper and printed tracing paper.  Many people worked with the paper ‘landscape’ but for some reason I preferred looking at my sheet from the ‘portrait’ orientation.

You can see, I tried for a variety of different shapes, colours and sizes – exploring various options of texture and translucence. Some of the group worked within a more rigid framework, ruling lines to keep each space the same, others worked from a substrate (basic level or surface) of a specific shape. Each sample, as we found out, would be transformed with layers, colours and texture.

Whskr Collage SampleSample work-in-progress

Our first challenge was to glue down the samples created. Challenge? Well, this  meant the papers would have to be moved, which meant we had not to be precious about the design we had made (overthinking?) but to allow a degree of change to come in as we glued each piece down. Sometimes we had to move to reach a second layer  – so how did we put it back? Did we try to keep it exactly the same – or go with the flow and move it a little?

Cordula speaks to a student WhanganuiCordula discusses design elements

After we glued down our collage ideas – using matt medium (Liquitex) we then moved on to consider using a layer of colour.  More on that in my next post.

Mystery Quilt April

Mystery Quilt April

We interrupt our report from Whanganui to include the third month of our Mystery Quilt!  For previous months see February here and March here. I think you will agree that our colour scheme of fresh blues with touches of yellow and green, is looking really pretty.

I will update this post when I finish this month’s task but, for now, wanted to let you know that you will see I have some larger 6in,  blocks of fabric (the Pukeko and Chatham Island Forget-Me-Not) that I am joining to the ‘Flying Geese‘ blocks from February.  We are adding stronger elements of green, and the lovely *Kowhai fabric.

*(Kowhai is pronounced Coe-Fai with a K sound and the wh = f sound) brings a fresh new quilting touch.

Fibre Arts New Zealand Whanganui April 2013

Fibre Arts New Zealand Whanganui April 2013

Welcome to the Whskr report from the action-packed week with Fibre Arts New Zealand.  This series of workshops is becoming a ‘must visit’ for it’s quality tutors, great work rooms, and welcoming atmosphere. I hope you get a flavour of it in the pictures above and my subsequent reports.

There were five workshops in all. Two felting, one stitch, one collage, and one for serious mentoring by one of Australia’s premiere quilt artists Glenys Mann. Each had their own clean and bright workroom with plenty of space, light and a good atmosphere.

I took the class with Cordula Kagemann, collage artist, and I will show some of our work over the next few days as I report on my arts adventure.  After a nervous start I got down to business and created some good work that I feel I can explore further, incorporating a lot of my own material and ideas. I am currently drafting my posts – so keep an eye open for pictures and some developing works of art!

There is a further series of workshops planned for September 2013 which can be seen here.

Fibre Arts New Zealand 2013

 

Whanganui Girls College Hostel

Whanganui Girls College Residential Accommodation

New Zealand may be far away but it receives its fair share of visits from some of the world’s foremost exponents of textile art. Many of the tutors attend the long established Australian summit in Geelong hosted by The Australian Forum for Textile Arts (TAFTA) then make the short hop across the Tasman. They reach a whole new range of students and a different prespective – the tutors gain as much from the experience as the students.

The residential courses (all food and quirky accommodation) are almost a week long and meant to stretch the creative muscles of those already practising textile crafts in some way. In 2013 there are tutors from Australia, Germany and Canada, they are teaching nuno felting, collage, words and threads, sculptural felting and there is also a special workshop hosted by premiere Australian art quilter Glenys Mann.

Dionne Swift speaks to the group

Dionne Swift speaks to the Firbe Arts 2013 group

The NZ textile event was recently re-christened Fibre Arts New Zealand and has moved north from the Wellington region to Whanganui where the activity and creative excitement continue.

Here are a few images of the activity in the workshop I attended with Dionne Swift. It was fun, exciting and creative, we used sewing machines and embellishers by Janome and produced some excellent ideas for future development. This was a good textile workshop and an inspiration.  There is a gallery of images on Flickr.

Working on samples from the paper roll

Working on samples from the paper roll

Mystery Quilt March 2013

Mystery Quilt March 2013

Whskr March Mystery Quilt
This is my finished square for the March segment of the Mystery Quilt, Conundrum at Cocktail Hour. There are four squares altogether, with the blue triangle in a different place each time, rotating from bottom left around to bottom right. The bird, as I mention in my last post is a Pukeko, a New Zealand bird that I sometimes see when we are driving.

You can see some the full range of Kiwiana fabric here at KiwiQuilts. I know Quilters Lane stocks some of the range, if you are visiting Masterton, but they don’t have images available online. Below you can see the colour swatch sheet, the two packs of finished blocks – alongside a portrait of BewskieButt one of my favourite Twitter pals – his mum BZTAT has her own adventure here.

Quilt Blocks and Brewskie Butt

Mystery Quilt MARCH 2013 (1)

Mystery Quilt MARCH 2013 (1)

I received my March instalment of the Mystery Quilt from Quilters Lane, Masterton, New Zealand.

I did not select the colours with the intention of making a New Zealand themed quilt, but I am enjoying seeing them in use. I love the many special NZ themed fabrics but usually go blank when I try to use them in a project. This quilt is proving a real inspiration and a delight as the blues with a splash of green (not usually a me colour) balance out beautifully well.

The instructions for this element are simple enough – add the four triangles around the square, so I will do this and update when it’s ready to photograph.  Again, the scant quarter inch will probably be a challenge but I still mark each piece of fabric lightly in pencil so I know I need to be ‘inside’ the line :-) .

A brief note on the bird fabric.  The bird is a Pukeko, blue black in colour with a red beak (images), it is a regular theme in NZ works and fabric. There is a stuffed toy pattern available (which I will try to find a link to).

Last post about the Mystery Quilt is here.